[35], It was only after Leone's death and the subsequent restoration of the original version that critics began to give it the kind of praise displayed at its original Cannes showing. Once Upon a Time in America (Italian: C'era una volta in America) is a 1984 Italian-American epic crime drama film co-written and directed by Italian filmmaker Sergio Leone and starring Robert De Niro and James Woods. The U.S. theatrical cut was also released at the same time in February 1985. The story was rearranged in chronological order and the film was split in two, with the two parts shown as separate movies, one containing the childhood scenes and the other comprising the adulthood scenes. Carol, who also fears for Max's life, convinces Noodles to inform the police about a lesser offense, so the four friends will safely serve a brief ("probably one year") jail sentence. [18] It ended its box office run with a gross of just over $5.3 million on a $30 million budget,[19] and became a box office flop. Despite the rearranging, no major scene deletions were made. Roger Ebert wrote in his 1984 review that the uncut version was "an epic poem of violence and greed" but described the American theatrical version as a "travesty". Noodles also reunites with Deborah, seeking to rekindle their relationship. It was the final film directed by Leone before his death five years later, and the first feature film he had directed in 13 years. It is a typical Robert de Niro slow motion picture. [16], Once Upon a Time in America premiered at the 1984 Cannes Film Festival on 23 May. [12] The interiors of the lavish restaurant where Noodles takes Deborah on their date were shot in the Hotel Excelsior in Venice, Italy. Max explains that corrupt police officers helped him fake his own death, so that he could steal the gang's money and make Deborah his mistress in order to begin a new life as Bailey, a man with connections to the Teamsters' union, connections that have now gone sour. Robert De Niro Photos - "Once Upon A Time In America" cast member Robert De Niro attends the 52nd New York Film Festival at Walter Reade Theater on September 27, 2014 in New York City. Realizing that someone has deduced his identity, Noodles returns to Manhattan, and stays with Fat Moe above his restaurant. As he begins to walk towards Noodles, the truck passes between them. Having enjoyed Leone's Dollars Trilogy, Grey finally responded and agreed to meet with Leone at a Manhattan bar. Frequent De Niro collaborator Chuck Low and Leone's daughter Francesca respectively make uncredited appearances as Fat Moe and Deborah's father, and David Bailey's girlfriend. She tells him that Max planted the idea of Carol and Noodles tipping him off to the police, because he wanted to die rather than go insane like his father, who died in an asylum; Max opened fire on the police to ensure his own death. This is drama pure. The boys stash half their money in a suitcase, which they hide in a locker at the railway station, giving the key to "Fat" Moe Gelly, a reliable friend who is not part of the operation. [20], The film was shown in limited release and for film critics in North America, where it was slightly trimmed to secure an "R" rating. Seine Bilder wurden in zahlreichen Museen und Galerien ausgestellt. [27], In North America, a two-tape VHS was released by Warner Home Video with a runtime of 226 minutes in February 1985 and 1991. Features. This condensed version was a critical and financial disaster, and many American critics who knew of Leone's original cut attacked the short version. This American wide release (1984, 139 minutes) was drastically different from the European release, as the non-chronological story was rearranged into chronological order. [8] Following that initial meeting, Leone met with Grey several times throughout the remainder of the 1960s and 1970s to understand America through Grey's point of view. [17] In the United States, the film received a wide release in 894 theaters on 1 June 1984, and grossed $2.4 million during its opening weekend. Ignoring Deborah's advice, Noodles sees Bailey's son David, who is named after Noodles and bears a strong resemblance to Max as a young man. [43] Ebert stated that the purpose of the flying disc scene was to establish the 1960s time frame and nothing more. [33], Despite its modern critical success, the initial American release did not fare well with critics and received no Academy Award nominations. Frank Gio, Ray Dittrich and Mario Brega (a regular supporting actor in Leone's Dollars Trilogy) respectively appear as Beefy, Trigger and Mandy, a trio of gangsters who search for Noodles. Planning to rob a drunk as a truck hides them from a police officer, they're foiled by Maximillian "Max" Bercovicz, who jumps off the truck to rob the man himself. Opening the locker, he finds a suitcase full of money but with a note stating that the cash is a down-payment on his next job. Mit Martin Scorsese bildete er ein Traumduo des US-Kinos. [2] In the 2012 restoration, Louise Fletcher appears as the Cemetery Directress of Riverdale, where Noodles visits his friends' tomb in 1968. Noodles retrieves the suitcase in which the gang had stored their money, now finding it empty. The musical score was composed by Leone's longtime collaborator Ennio Morricone. Directed by Martin Scorsese. After watching the film for almost 4 hours, which I did it in three parts, I really wished the film would end in the last hour, more than once. Leone originally envisaged two three-hour films, then a single 269-minute (4 hours and 29 minutes) version, but was convinced by distributors to shorten it to 229 minutes (3 hours and 49 minutes). Robert Anthony De Niro (Italian: [de ˈniːro]; born August 17, 1943) is an American actor, producer, and director who holds both American and Italian citizenship. The president is supposed to set an example of trying to do the right thing. Noodles sees the truck's auger grinding down rubbish, but Max is nowhere to be seen. [7] In 1968, after shooting Once Upon a Time in the West, Leone made many efforts to talk to Grey. The film is an Italian–American venture produced by The Ladd Company, Embassy International Pictures, PSO Enterprises, and Rafran Cinematografica, and distributed by Warner Bros. Based on Harry Grey's novel The Hoods, it chronicles the lives of best friends David "Noodles" Aaronson and Maximilia… Because of this early audience reaction, the fear of its length, its graphic violence, and the inability of theaters to have multiple showings in one day, the decision was made by The Ladd Company to make many edits and cut entire scenes[specify] without the supervision of Sergio Leone. Filme Robert de Niro zum 75: Ein Leben im Film Robert de Niro gehört zu den größten Schauspielern des amerikanischen Films. Max suggests joining the Teamsters' union, as muscle, but Noodles refuses. On 3 August 2012, it was reported that after the premiere at Cannes, the restored film was pulled from circulation, pending further restoration work. [39] In 2015, the film was ranked at number nine on Time Out's list of the 50 best gangster films of all time. In 1968, Noodles receives a letter informing him that the cemetery where his friends are buried is being redeveloped, asking him to make arrangements for their reburial. The film gained a mediocre reception at several sneak premieres in North America. With his friends killed, and himself hunted, a despondent Noodles then boards the first bus leaving New York, going to Buffalo, to live under a false identity, Robert Williams. The cast also includes Noah Moazezi as Dominic, James Russo as Bugsy, producer Arnon Milchan as Noodles' chauffeur, Marcia Jean Kurtz as Max's mother, Estelle Harris as Peggy's mother, Joey Faye as an "Adorable Old Man", and Olga Karlatos as a wayang patron. [21] The review aggregator website Rotten Tomatoes reports an 86% approval rating with an average rating of 8.62/10 based on 50 reviews. The uncut original film is considered to be far superior to the edited version released in the US in 1984. Noodles is released from jail in 1930 and is reunited with his old gang, who are now major bootleggers during Prohibition. Minutes after calling the police, Max knocks Noodles unconscious during an argument. Other major cuts involved many of the childhood sequences, making the adult 1933 sections more prominent. Globe voters were furious when he ... as were Leonardo DiCaprio (“Once Upon a Time … in Hollywood”) and … Because after 3 hours already, you feel the drama in your bones. In a rage, Noodles stabs Bugsy and severely injures a police officer. In an interview by Noël Simsolo published in 1987, Leone confirms the validity of this interpretation, saying that the scenes set in the 1960s could be seen as an opium dream of Noodles'. [7], In the Soviet Union, the film was shown theatrically in the late 1980s, with other Hollywood blockbusters such as the two King Kong films. 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